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The uneasy link between tourism and collective memory at Holocaust museums and memorials \n\n\n\nEach year, millions of people visit Holocaust memorials and museums, with the number of tourists steadily on the rise. What lies behind the phenomenon of \"Holocaust tourism\" and what role do its participants play in shaping how we remember and think about the Holocaust? \n\nIn Postcards from Auschwitz, Daniel P. Reynolds argues that tourism to former concentration camps, ghettos, and other places associated with the Nazi genocide of European Jewry has become an increasingly vital component in the evolving collective remembrance of the Holocaust. Responding to the tendency to dismiss tourism as commercial, superficial, or voyeuristic, Reynolds insists that we take a closer look at a phenomenon that has global reach, takes many forms, and serves many interests. \n\nThe book focuses on some of the most prominent sites of mass murder in Europe, and then expands outward to more recent memorial museums. Reynolds provides a historically-informed account of the different forces that have shaped Holocaust tourism since 1945, including Cold War politics, the sudden emergence of the \"memory boom\" beginning in the 1980s, and the awareness that eyewitnesses to the Holocaust are passing away. Based on his on-site explorations, the contributions from researchers in Holocaust studies and tourism studies, and the observations of tourists themselves, this book reveals how tourism is an important part of efforts to understand and remember the Holocaust, an event that continues to challenge ideals about humanity and our capacity to learn from the past.
How do people link the past to the present, marking continuity in the face of the fundamental discontinuities of history? A Time to Gather argues that historical records took on potent value in modern Jewish life as both sources of history and anchors of memory because archives presented one way of transmitting Jewish culture and history from one generation to another as well as making claims of access to an \"authentic\" Jewish culture. Indeed,\nboth before the Holocaust and in its aftermath, Jewish leaders around the world felt a shared imperative to muster the forces and resources of Jewish life and culture. It was a \"time to gather,\" a feverish era of collecting and conflict in which archive making was both a response to the ruptures of modernity and a\nmechanism for communities to express their cultural hegemony.\n\nJason Lustig explores these themes across the arc of the twentieth century by excavating three distinctive archival traditions, that of the Cairo Genizah (and its transfer to Cambridge in the 1890s), folkloristic efforts like those of YIVO, and the Gesamtarchiv der deutschen Juden (Central or Total Archive of the German Jews) formed in Berlin in 1905. Lustig presents archive-making as an organizing principle of twentieth-century Jewish culture, as a metaphor of great power and broad symbolic\nmeaning with the dispersion and gathering of documents falling in the context of the Jews' long diasporic history. In this light, creating archives was just as much about the future as it was about the past.
