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This new collection of Aesop's fables is sumptuously illustrated by Giuliano Ferri and presented as a hardback gift edition to be read again and again. Each of these timeless stories conveys a message about how to behave towards others. Stories include The Fox and the Crow, The Hare and the Tortoise, The Boy who cried Wolf and The Goose that Laid the Golden Eggs.

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Seventeenth-century Frenchman Jean de La Fontaine happily plundered Aesop and other classical writers as a source for his witty, elegant fables, as well as inventing a number of his own. Seeking to expose the weaknesses of human nature, he offered vivid perspectives on greed and flattery, envy and avarice, love and friendship, old age and death. The sixty fables collected here – from 'The Crow and the Fox' and 'The Cock and the Pearl' to 'The Grasshopper and the Ant' and 'The Town Mouse and the Country Mouse' – are illustrated with more than a hundred drawings by R. de La Nezière which which charmingly capture La Fontaine’s unforgettable cast of animal personalities.

This story is part of Reading Champion, a series carefully linked to book bands to encourage independent reading skills, developed with Dr Sue Bodman and Glen Franklin of UCL Institute of Education (IOE).\n\nA traditional Aesop fable is retold as the story of Fox and Goose, who try to be friends, but end up misunderstanding one another and not showing compassion for each other's needs, with disastrous consequences.\n\nReading Champion offers independent reading books for children to practise and reinforce their developing reading skills.\n\nFantastic, original stories are accompanied by engaging artwork and a reading activity. Each book has been carefully graded so that it can be matched to a child's reading ability, encouraging reading for pleasure.

Timeless fables of loyalty and betrayal\n\n Like Aesop’s Fables, Kalilah and Dimnah is a collection designed not only for moral instruction, but also for the entertainment of readers. The stories, which originated in the Sanskrit Panchatantra and Mahabharata, were adapted, augmented, and translated into Arabic by the scholar and state official Ibn al-Muqaffa? in the second/eighth century. The stories are engaging, entertaining, and often funny, from “The Man Who Found a Treasure But Could Not Keep It,” to “The Raven Who Tried To Learn To Walk Like a Partridge” and “How the Wolf, the Raven, and the Jackal Destroyed the Camel.”\n\n Kalilah and Dimnah is a “mirror for princes,” a book meant to inculcate virtues and discernment in rulers and warn against flattery and deception. Many of the animals who populate the book represent ministers counseling kings, friends advising friends, or wives admonishing husbands. Throughout, Kalilah and Dimnah offers insight into the moral lessons Ibn al-Muqaffa? wished to impart to rulers—and readers.\n\nAn English-only edition.

Rabbit on the Run is based on Aesop's fable The Tortoise and the Hare, about the rabbit whose complacency leads him to underestimate the tortoise, who shows that slow and steady can win the race ... \n\nThis popular story written by Alex Lane and beautifully illustrated by Laura Hughes will capture your child's imagination! It has been sensitively rewritten based on phonics to enable your child to read it with confidence whilst capturing the magic of the original tale. There are useful tips for parents and an engaging story map inside the book to help you and your child retell the story together.\n\nThe Oxford Reading Tree Traditional Tales series includes 40 of the best known stories from all over the world, which have been passed down for generations. They are a perfect introduction to different cultures, traditions and morals. All the stories are carefully levelled to Oxford Reading Tree levels and matched to the phonic progression in Letters and Sounds enabling your children to read the stories independently.\nBooks contain inside cover notes to support children in their reading. Help with childrens reading development is also available at www.oxfordowl.co.uk.

This wonderful anthology includes some of the best -loved stories of all time: a striking variation on Aesop's `The Goose\nthat Laid the Golden egg ', Oscar Wilde's `The Happy Prince ' and the eponymous poem `The Owl and the Pussycat '.

Discover the world of classic literature!\n\nDiscover new realms of thought and fantasy in this exclusively selected boxed set! Four special-edition Word Cloud Classics are included: The Wizard of Oz, The Wind in the Willows and Other Stories, Hans Christian Andersen Tales, and Aesop's Fables. Readers will be proud to display these works on their bookshelf when not reading folktales and detecting morals set forth by our ancestors-and the hot-air balloon cruising across the spines is sure to provoke many an interesting conversation.

the body / knows what / it truly / wants yet / the mind / wavers all\n\nIn Edward Carson's provocative new work, the poetic moving parts of movingparts confront and breathe new life into what's true and what's not in Aesop's fable \"The Fox and the Crow,\" as well as the shifting, often fragmentary ground between what's said and what's not about identity and intimacy in Sappho's lyrics.\n\nReflecting the moment-to-moment ways our minds think, these poems take us from a creative process of disconnection and reassembly to a sonic pacing of words arising out of their stillness on the page. A flair for syntactical compression is found throughout, balanced by a capricious yet transforming diction, what John Ashbery described as seeking to stretch \"the bond between language and communication.\" Calling witness to the narratives of history while pivoting their reach forward to the present, the rhythms, allusions, and resulting outcomes of Carson's use of language expand both narrative and discovery. \n\nmovingparts is brought full circle when an unexpected historical connection between Sappho and Aesop is revealed, hinting that what is true or false in the past or present of our lives can arrive at an intimacy with and illumination of more than we imagine.

Ten witty and enchanting animal fables in verse which, like a modern Aesop's Fables, can be enjoyed by young and old alike\n\n'Because it was very hot in my house one day and I could not concentrate on my work, I decided to write a summer story involving mangoes and a river. By the time I had finished writing 'The Crocodile and the Monkey' (in a cool room lent to me by a friend), another story and other animals had begun stirring in my mind. And so it went on until all ten of these beastly tales were born - or re-born.\n\nOf the ten tales told here, the first two come from India, the next two from China, the next two from Greece, and the next two from the Ukraine. The final two came directly from the Land of Gup. I hope you enjoy them and have a beastly time.' Vikram Seth.

In this collection of short meditations on various topics, Hans Blumenberg eschews academic ponderousness and writes in a genre evocative of Montaigne's Essais, Walter Benjamin's Denkbilder, or Adorno's Minima Moralia. Drawing upon an intellectual tradition that ranges from Aesop to Wittgenstein and from medieval theology to astrophysics, he works as a detective of ideas scouring the periphery of intellectual and philosophical history for clues-metaphors, gestures, anecdotes-essential to grasping human finitude. Images of shipwrecks, attempts at ordering the world, and questions of foundations are traced through the work of Goethe, Schopenhauer, Simmel, Husserl, Thomas Mann, and others. The book's reflections culminate in a rereading of the fable \"Care Crosses the River\" that lies at the center of Heidegger's analysis of Dasein in which the fable's elided Gnostic center is recovered: Care creates the human in its own image, as a reflection of its narcissism.\n\n\nAt stake throughout are two inextricable elements of Blumenberg's thought: a theory of nonconceptuality as essential to philosophizing and an exploration of culture understood as humanity's unceasing attempts to relieve itself of the weight of the absolutism of reality.

An entertaining and enlightening anthology of classical Greek and Roman writings on animals—and our vital relationships with them\n\nHow to Care about Animals is a fascinating menagerie of passages from classical literature about animals and the lives we share with them. Drawing on ancient writers from Aesop to Ovid, classicist and farmer M. D. Usher has gathered a healthy litter of selections that reveal some of the ways Greeks and Romans thought about everything from lions, bears, and wolves to birds, octopuses, and snails—and that might inspire us to rethink our own relationships with our fellow creatures. Presented in lively new translations, with the original texts on facing pages, these pieces are filled with surprises—anticipating but also offering new perspectives on many of our current feelings and ideas about animals.\n\nHere, Porphyry makes a compelling argument for vegetarianism and asserts that the just treatment of animals makes us better people; Pliny the Elder praises the virtuosity of songbirds and the virtuousness of elephants; Plutarch has one of Circe’s pigs from the Odyssey make a serio-comic case for the dignity of the beasts of the field; Aristotle puts the study of animals on par with anthropology; we read timeless Aesopian fables, including “The Hen That Laid the Golden Egg” and “The Fox and the Grapes”; and there is much, much more.\n\nA Noah’s Ark of a book, How to Care about Animals is guaranteed to charm and inspire anyone who loves animals.

A stunning, wordless version of one of Aesop's best-loved fables, from one of America's most acclaimed artists.\n\nIn this Caldecott Medal-winning, wordless picture book, one of America's most acclaimed artists retells one of Aesop's best-loved fables. The fable is a favourite and familiar one: a mouse inadvertently disturbs a lion, who lets the mouse go ... and is later himself freed by the mouse from a poacher's trap. With art inspired by the Kenyan Serengeti, Jerry Pinkney's jaw-droppingly gorgeous interpretation is irresistible, its wealth of visual detail offering huge scope for the pages to be turned and the story retold over and over again.

As well as being the UK's most successful picture book author, Julia Donaldson is a gifted songwriter for children. A Treasury of Songs contains over twenty of her songs, including fun-filled action rhymes, Aesop's fables, and songs based on Julia Donaldson's best-loved picture books, including Room on the Broom, The Snail and the Whale, The Stick Man, and The Gruffalo. \n\nThis beautifully produced songbook treasury is illustrated throughout with Axel Scheffler's warm and wonderful artwork, and comes with a CD of all the songs performed by Julia herself, which will be familiar to anyone who has heard them on TV or radio or enjoyed one of Julia's live performances.\n\nNow in paperback with a thick, foiled cover The Treasury of Songs: Book and CD Pack will become a firm favourite on every child's shelf.

A twelfth-century Sanskrit parallel to Hans Christian Andersen's `The Princess and the Pea' is just one of the surprises in this unusual collection of fairy tales from the Indian subcontinent. There are animal fables that recall both Aesop and Uncle Remus, and long wonder tales with all the strange enchantments of the Arabian Nights. Wily peasants, scheming rajahs, and saintly brahmans mingle in stories full of spice and wit. Luck and fate are the chief concerns, but magic and bravery play their part as well. These eighteen stories have been selected with an introduction and notes by folklorist Neil Philip, and retold for today's children by Caroline Ness. The result is a vibrant anthology of magical tales that will delight all the family, ideal to read aloud or for older readers to enjoy discovering by themselves.\nIn this enchanting anthology of fairy tales from across the Indian subcontinent, you will enter into a world where an elephant rides to heaven and back; an exiled prince wins his inheritance; a resourceful princess pits her wits against a witch; and of a male Cinderella - but with a twist to the tail! Jacqueline Mair's richly detailed illustrations draw on her experience travelling and studying in India to produce a book full of colour and vibrancy.