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Memoirs of a Highland Lady is one of the most famous memoirs ever written. Since its first bowdlerised edition in 1898, it has been consistently in print. This is the first ever complete text.\n\nWritten between 1845 and 1854 the memoirs were originally intended simply for Elizabeth's family, but these vivid and inimitable records of life in the early nineteenth century, and above all of the great Rothiemurchus estate, full of sharp observation and wit, form an unforgettable picture of her time.

The artist and author, Owen Grant Innes, began life in Nova Scotia, 'the most British of the Canadian provinces.' As a young boy in the 1960s, Innes felt an enormous sense of not belonging and found that through history, culture, and Queen Elizabeth II, he was connected to a wider world and, in that, found a sense of belonging. This book is a product of the unique relationship between sovereign and subject, acting as a 'love letter' to the Queen. \n\n Including 24 beautiful artworks dedicated to the Queen's life, from her birth to coronation, to the recent passing of her husband, Prince Philip. Alongside each painting is a quotation from Her Majesty or a reflection from the author.\n\n This book is a wonderful ode to the monarch and a tribute to the impact of her long reign.

Elisabeth Grant, 14x2 Ml, Fiale Torricelumn Assoluto

'What a beautiful, rich, poetic memoir this is. Phyllis writes of longing, suffering, family, and food with such delicate power. Like the best chefs, she knows how to make a masterpiece from a few simple ingredients: truth, poignancy, and love. A wonderful book.' Elizabeth Gilbert, author of 10 million copy bestseller Eat, Pray, Love\n \n \n Bake. I bake for others. Belgian waffles, French toast, crepes, chocolate chip cookies. When I cook, I am calm, I am confident. There is comfort in the logic.\n \n \n\n\n Chef and award-winning writer Phyllis Grant's life has been defined by food.\n\n\n First, as a dancer struggling to find her place at Julliard, when banana muffins with inch-thick streusel are the fuel for another day of training. Then, a lowly junior chef in high-pressure NYC four-star kitchens, as she masters the tarte Tatin and ice cream custard.\n\n\n Falling in love with her future husband and the garlicky tomato sauce he makes in his bare apartment.\n\n\n The quesadillas she can't stop eating in LA before she realises she's pregnant.\n\n\n These are the recipes that have accompanied Phyllis throughout the smooth and jagged stages of her life as she navigates the highs and lows of young adulthood, being a mother, and a career in the kitchen.\n\n\n Written with the transparency of a diarist and including tried-and-true recipes from her chef's table, Everything Is Under Control is a raw and riveting story about food, family, love and loss.

General Robert E. Lee's surrender of the Army of Northern Virginia to General Ulysses S. Grant's Army of the Potomac might look serene in the amber-tinted popular images of two gentlemen sharing cigars, but that image conceals seething debate over precisely what the surrender meant and what kind of United States would emerge from war. The combatants in that debate included the iconic Lee and Grant, but they also included a cast of characters previously overlooked, who brought their own understanding of the war's causes, consequences, and meaning. \n\nWhereas April 1865 has been commonly viewed as a clear breaking point, Elizabeth Varon's Appomattox promises to connect the war to the immediate postwar in ways that have the potential to tell us far more than we currently know about how the creative potential generated by the destruction of war went unfulfilled in the decades that followed. Painting a portrait of this event between the triumphalist version of 1865 as a moment of strength and healing and a more persuasive but still incomplete portrait of the postwar painted by David Blight in Race and Reunion, Varon's work seeks to examine the surrender at Appomattox with an eye toward (a) narrating the events of April 1865, (b) exploring the immediate reactions, North and South, to the surrender, (c) exploring the political uses of the surrender during Reconstruction, and (d) challenging the popular, and comforting, perception that Appomattox inaugurated an easy end to a tragic war by beginning a process of reunion that reminded Americans that they were, after all, one people who shared far more similarities than differences. Varon will bring African American voices and attitudes into a story typically limited to white actors.